PSYCHOLINGUISTIC APPROACH FOR A THEATRE TRANSLATION
Kata Kunci:
psycholinguistic, theatre, translation, theatre translationAbstrak
The Translator's Invisibility was published, translation studies have debated the distinction between the domesticating and foreignizing approaches to translation.The political repercussions of this opposition have already been extensively discussed (Robinson, Bassnett and Trivedi, Tymoczko, among others), so I will not address them in this article.Instead, I want to demonstrate that translating for the theater may necessitate a greater degree of domestication due to the nature of the medium.I demonstrate that the translator must take into account both the spoken and aural nature of the dialogue.The aural nature of a theater text also suggests that it is permanent and cannot be changed.The provided linguistic input cannot be reexamined because of these characteristics.Using data from psycholinguistics and cognitive psychology, I show that some foreignizing strategies that are effective for translating written texts may not be as effective for translating stage translations.To illustrate my point, I use a single case study: the ongoing Italian translation of Convincing Ground (Mence), a drama.My objective is to demonstrate how a foreignizing strategy can fail to convey the characterization of the fictional world's characters and the relationships they have with one another that are shaped and negotiated through language, as well as impede or completely prevent the audience's lexical decision response within the allotted time for utterance.
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